CLASSICAL MUSIC DISCIPLINES

THEORY, RHYTHMICS AND MUSICAL PERCEPTION

Ear Training (A, B)

Sung reading, rhythmic intonation(A, B)

Theory and Solfeggio: Treble / Bass and Setticlavian key, Transport, sung

General Music Theory

Rhythmic / Melodic Dictation

ANALYSIS  HARMONY

Analysis/Harmony I

Analysis/Harmony II

Analysis/Harmony III

Bach Corals Analysis (Schenker Method)

DIDACTIC DISCIPLINES

Musical Pedagogy

Musical Pedagogy Foundations

General Psychology Foundations

Musical Psychology

Methodology of music education

ACOUSTIC, PSYCHO-ACOUSTIC, MUSICAL IT

Musical IT I

Musical IT II

COMPOSITION

Semiography of Contemporary Music

INTERPRETATIVE DISCIPLINES

Methodology and teaching of instrumental repertoire

Executive practices I

Executive practices II

Executive practices and orchestra repertoire I

Executive practice and orchestra repertoire II

Monographic Repertoire I

Monographic Repertoire II

Issues and methods III

Guitar and orchestra I

Tablatures and their transcription for guitar

Chamber music I

Chamber music II

Contemporary music workshop

Literature of the instrument I, II, III

Issues and methods I, II, III

MUSICOLOGICAL DISCIPLINES

History and aesthetics of Music: executive practice and authenticity

History and aesthetics of music (ancient)

History and aesthetics of music ('700 -' 800)

History and aesthetics of music ('900)

History and analysis of the repertoire: The American way at work

History and analysis of the repertoire / History of musical theater: from musical to film, from film to musical

History and literature of plucked instruments

History and technology of instruments

History of the Sonata

Anthropology and musical ethnomusicology

Teaching of listening

Semiology of music

THEORETICAL-ANALYTICAL-PRACTICAL DISCIPLINES

Semiography of contemporary music

ORGANIZATION, LAW AND LEGISLATION OF THE SHOWBUSINESS

Organization, Law And Legislation Of The Musical Show

PRACTICE OF PIANISTIC READING, PIANISTIC ACCOMPANYING, MUSICAL SCORE READING

Complementary piano

Reading of the piano score

CHORUS, CHAMBER CHORUS

Gregorian chant

Choral exercises

FOREIGN LANGUAGES

English A1 – A2

English B1 – B2

Studies completed in England at St. Giles College (Brighton)

MODERN MUSICAL DISCIPLINES

THEORY

Ear Training (8 levels)

Musical theory and solfeggio (8 levels)

Rhythmic reading (8 levels)

Melodic and harmonic modern harmony (8 levels)

History of Music ( 8 levels)

IMPROVISATION

Blues (8 levels)

Rock  - Heavy - Metal (8 levels)

Jazz/Fusion (8 levels)

INSTRUMENTAL PRACTICE

Electric guitar: guitar techniques

Electric guitar: funk  (8 levels)

Electric guitar: Pop   (8 levels)

Electric guitar: Jazz (8 levels)

Electric guitar: Fusion (8 levels)

Electric guitar: rock – blues / Electric guitar: hard rock – heavy metal (8 levels)

Styling (8 levels)

Solo guitar (8 levels)

Rhytmic guitar (8 levels)

Blues and Pop Complementary acoustic guitar

COMPOSITION

COMPOSITION - ARRANGEMENT:

-     How to activate creativity

-     How listening pleasure works

-     How the listening pleasure is amplified

-     How the listening pleasure is prolonged

-     Fantasy control

-     Evolutionary theory of musical creativity

-     Envelopment of listening pleasure

-     Game theory

-     The four categories of the game

-     Kinetics

-     The theory of Surprise and Reassure

-     The Regula Absurda

-     The outrigger theory

-     The perception of the difference in level

-     The perception of disequilibrium

-     Art as an extension of the game

-     The esteem of art

 TEACHING OF LISTENING:

-     Elements of the art of music

-     Envelopes of listening pleasure

-     Development of the premonitory ear

TEACHING TECHNIQUES:

-     Manual difficulty: Monotasking, Multitasking, Overtasking

-     Slow progress: Disorder of priorities

-     Difficulty in keeping tempo: tendency to accelerate and slow down, inability to keep a regular time

-     Difficulty in reading and solfeggio: slowness in recognizing notes, confusion of hand movement, difficulty in comprehension

-     The system of teaching units of a text

-     How to reduce the number of drop-outs

SOUND ENGINEER/TURNIST:

-     Propagation and structure of sound: How to change the harmonic spectrum

-     Interference, Sympathy, Sound amplitude envelope

-     Effect: Modification of the amplitude envelope - The compressor, the expander, the distortion, manual volume control, delay lines, doopler effect, Lesley, flanger, chorus

-     Microphoning techniques: microphones and pick.ups

-     Acoustic treatment of environments: soundproofing, and insulation

-     Between masking and definition

-     Advanced stereophonization techniques

-     Studio work: tips and "tricks of the trade".

PERFORMER:

-     Studio work and direction

-     The business of music

-     Your instrument

-     Professional musical experiences

-     Stage management

-     Performance

MOVIES AND CARTOONS SOUND-TRACKS:

-     Composition of soundtracks for films and short films

-     Production of Animation, multimedia, videomaking

-     Cinematography Techniques

-     Techniques and tools of record production

ENSEMBLE MUSIC:

-     Rock music workshop

-     Acoustica music workshop

-     Classic orchestra

SOUND ENGINEERING AND SOFTWARE

SOUND ENGINEERING

-     Acoustic

-     Electronic and Electro-acoustic

-     Connections, Patchbay and speakers

-     The sound in the Digital Domain

-     Microphones

-     Analogic

-     Microphoning techniques

-     Midi

-     Effects

-     Equalizers

-     Dynamic processors

-     Analogic

-     Sequencer

-     Hardware

-     Synthesis

-     Massive

-     Ozone 6

SOFTWARE

-     Ableton Live 9 - 10

-     Logic Pro 9 e 10

-     Cubase: 0 -  8.5

-     Pro Tools 101 and 110

TRINITY COLLEGE

(Great Britain - Italy)

Member of the Italian Trinity Team

Tutoring for rock & pop electric guitar exams

Tutoring for acoustic guitar exams

Plectrum guitar exams tutoring

Tutoring for classical guitar exams

Tutoring for performance exams

Tutoring for improvisation in different styles (simple rock, pop, balld, heavy rock, country, blues, reggae, R’n’B, funk, shuffle, disco, latin, metal, jazz, boogie-woogie, boogie style rock, any common style including hybrid styles (eg.: rock blues, soul, samba, etc...)

Tutoring for theory and solfeggio exams, rhythmic reading and reading at first sight (playback), ear training, history of music,, classical / modern harmony

RGT@LCM

(Registry of Guitar Tutors)

at London College of Music

(Great Britain/Italy/Singapore-Malaysia)

Tutoring for rock & pop electric guitar exams

Tutoring for rock & metal electric guitar exams

Tutoring for blues & rock electric guitar exams

Tutoring for acoustic guitar accompaniment exams

Tutoring for acoustic guitar exams

Plectrum guitar exams tutoring

Tutoring for classical guitar exams

Tutoring for performance exams

Tutoring for improvisation in different styles (simple rock, pop, balld, heavy rock, country, blues, reggae, R’n’B, funk, shuffle, disco, latin, metal, jazz, boogie-woogie, boogie style rock, any common style including hybrid styles (eg.: rock blues, soul, samba, etc...)

Tutoring for theory and solfeggio exams, rhythmic reading and reading at first sight (playback), ear training, history of music, classical / modern harmony

ROCKSCHOOL RSL

(Great Britain/Italy)

Tutoring for electric guitar exams

Tutoring for acoustic guitar exams

Tutoring for performance exams

Tutoring for improvisation in different styles (simple rock, pop, balld, heavy rock, country, blues, reggae, R’n’B, funk, shuffle, disco, latin, metal, jazz, boogie-woogie, boogie style rock, any common style including hybrid styles (eg.: rock blues, soul, samba, etc...)

Tutoring for theory and solfeggio exams, rhythmic reading and reading at first sight (playback), ear training, history of music, classical / modern harmony

Tutoring for musical softwares (Ableton, Cubase, ProTools, Logic Pro) exams

ABRSM

(Great Britain/Italy)

Tutoring for classic guitar exams

Tutoring for performance exams

Tutoring for theory and solfeggio exams, rhythmic reading and ear training, classic harmony

ST. CECILIA SCHOOL OF MUSIC

(Australia - Italia)

Tutoring for rock & pop electric guitar exams

Tutoring for acoustic guitar exams

Tutoring for plectrum guitar exams

Tutoring for classic guitar exams

Tutoring for performance exams

Tutoring for band performance exams

Tutoring for improvisation in different styles (simple rock, pop, balld, heavy rock, country, blues, reggae, R’n’B, funk, shuffle, disco, latin, metal, jazz, boogie-woogie, boogie style rock, any common style including hybrid styles (eg.: rock blues, soul, samba, etc...)

Tutoring for theory and solfeggio exams, rhythmic reading and reading at first sight, ear training, classical / modern harmony

SUMMER MUSIC STUDY HOLIDAYS

AMATEUR AND PROFESSIONAL

WORKSHOP - SEMINARS

History of music on modern solo guitarists in different styles

History of music on modern rhythm guitarists in different styles

The electric guitar in the blues

The lead guitar through the main techniques

Amplifiers and effects for guitarists

Solo and group performances

History of the electric guitar

History of rock music